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Without the pressure and weighty expectations involved in producing a major work, inspiration flows freely and the result is an even more accomplished piece of art.

This may have been what happened with Git by Song Il-gon, the director of Flower Island (2001), Spider Forest (2004), and various award-winning short films including The Picnic (1999).

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As he waits, the pressures of his work life start to recede, and he becomes acquainted with the young woman who runs the motel.

Complete hull works, next a br Have you ever dreamed about sailing off into the sunset, of course you have, well this is the boat.

These are some reviews of the features released in 2005 that have generated the most discussion and interest among film critics and/or the general public. Sometimes small-scale, informal projects can liberate a director.

Alas, the festival's expectations were confounded, first in that only Lee Young-jae's work really engaged environmental issues in a direct way (the other two were merely set in rural areas), and second by the fact that Song went out and shot a 70-minute film.

As an omnibus work, 1.3.6 has to be considered a failure, especially as the three films (Jang's amusing Sonagi Epilogue, Lee's poorly-received Mobius Strip, and Song's poetic Git) don't match, not just in length but in form, content, mood, style, and quality.

(Darcy Paquet) There was a lot going on in the world of Korean film at the beginning of 2005.

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